
Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and-most serious-civil permitting issues that put the kibosh on what work’s been done. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves-during which Greg fails at the work in various slapstick scenes. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. When Great Aunt Reba dies, she leaves some money to the family. The Heffley family’s house undergoes a disastrous attempt at home improvement. This improbable plot and spunky protagonist are appealing bait for a heartfelt, memorable story. The seaside setting is awash with details-theatre terms, fish names, Indie’s Carhartt pants-that define the community and Indie’s family in it and also salt the action. Their efforts are complicated by the love/hate interaction between Indie and her older sister Bebe (who’s in the play), an overzealous police officer, shooting stars and the constellation Pisces, Owen’s Book of Logic and Reason: Observation Log IV, peer pressure and a cast of community characters in this tourist fishing town.

The two hoist the front and back ends of a splintered rowboat up into a tree-house platform to rebuild it so they can scout for Monty’s return. With the help of oddball loser Owen, whose father shipped him out for the summer to his aunt, who builds sets for the town musical, she aims to get Monty back.



When her Coke-loving pet golden lobster (yes, they exist, one in 30 million) escapes into the ocean, recovering Lobster Monty Cola becomes the crux (and crustacean) of the story. Most kids can pucker up a fish face, but Indie Lee Chickory can make specific ones like wounded mackerel, flat haddock and trout pout, earning her the label of fish freak of Plumtown.
